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Students will use creative movement to show the chord progressions in the 12 bar blues.

This activity was created as a result of the Arts COS Resource Development Summit.

Grade(s)

4, 5

Subject Area

Arts Education

Learning Resource Type

Learning Activity

Students will analyze the painting style of Horace Pippin.  They will analyze the painting, School Studies.  Then, they will create a painting of a room in their house based on Pippin's "secret number."

Grade(s)

1, 2

Subject Area

Arts Education

Learning Resource Type

Classroom Resource

Students will review states of matter - solids, liquids, and gases.  They will compare states of matter to theme and variations in music.  They will listen to Turkish March by Wolfgang Amadeus Mozart and identify the theme and variations.    

Grade(s)

2, 3

Subject Area

Science
Arts Education

Learning Resource Type

Classroom Resource

Students will read about podcasts and how they were created. They will read about how to start a podcast and what equipment is needed to begin. They will choose a podcast to listen to and write and record a script for their own podcast.    

Grade(s)

3, 4, 5

Subject Area

Arts Education

Learning Resource Type

Classroom Resource

Theater students will watch a video of their prior performance and evaluate the performance using a rubric and reflective questions.

This activity was created as a result of the Arts COS Resource Development Summit.

Grade(s)

9, 10, 11, 12

Subject Area

Arts Education

Learning Resource Type

Learning Activity

Students will review attributes of colors. They will explore different pigments and create two different color wheels. Students will paint self-portraits based on selfies taken in class.  

Grade(s)

5

Subject Area

Arts Education

Learning Resource Type

Classroom Resource

Students will listen to the book What Do You Do With An Idea? by Kobi Yamada.  They will sing a song and keep the steady beat with egg shakers.  They will act out the story as it is read.  

Grade(s)

K

Subject Area

Arts Education

Learning Resource Type

Classroom Resource

In this classroom resource, students will identify different types of animation. They will sketch and assemble a flipbook to be used in a stop-motion animated film. The film will include still-shot images, audio sound effects, and voiceovers.    

Grade(s)

9, 10, 11, 12

Subject Area

Arts Education

Learning Resource Type

Classroom Resource

This learning activity should be completed at the end of a geometry unit or after a lesson on symmetry. The teacher will pose a real-world problem that requires the students to create a design for a stained glass window. Using virtual manipulatives, students will work collaboratively to design a symmetrical stained glass window that has at least one line of symmetry.

This activity was created as a result of the Arts COS Resource Development Summit.

Grade(s)

4

Subject Area

Arts Education
Mathematics

Learning Resource Type

Learning Activity

Students will compare and contrast two paintings of birds. They will describe the lines they see in each painting.  

Grade(s)

5

Subject Area

Arts Education

Learning Resource Type

Classroom Resource

Students will review haiku poetry and compose a haiku poem. They will demonstrate four watercolor techniques--wet on wet, alcohol, salt, and plastic wrap. They will choose which technique to use for their scroll. They will write their haiku on the completed scroll.  

Grade(s)

5

Subject Area

English Language Arts
Arts Education

Learning Resource Type

Classroom Resource

Students will move to a variety of music and prompt from the book My Many Colored Days by Dr. Seuss. One group of students will move while another group is the audience.  They will reflect on how the colors represent emotions and identify movements to match the emotions.  

Grade(s)

K

Subject Area

Arts Education

Learning Resource Type

Classroom Resource

Similarity and contrast are essential to the aesthetic experience. In this lesson, students will organize pictures based on contrasting themes.  Since many people are visually oriented, working with pictures is an effective way to gain an understanding of form before working with sound.

The students will experience the aesthetic impact of AB, ABA, and ABACABA (rondo) form. First, the students will collect and organize pictures with common and contrasting themes. (For example, a student would download pictures from the Internet of dogs that are sitting and dogs that are running.) Then, the students will create a digital slideshow of the pictures in an AB form and in an ABA form. (PC users can use free software such as Shotcut and Mac users can use a similar software program such as iMovie). Finally, the students will download an additional set of pictures unrelated to the other two to create a third theme. (For example, a student would add pictures of cats.) With these three themes, the student can create a slideshow in ABACABA (rondo) form.

This activity was created as a result of the DLCS COS Resource Development Summit.

Grade(s)

7

Subject Area

Arts Education

Learning Resource Type

Learning Activity

Students will identify examples of radial symmetry. They will practice making a radial design with a piece of paper.  Then, they will trace lines on a styrofoam plate. Using the styrofoam plate and ink, they will make a print.  Assessment rubric, letter to parents, examples of artwork, and lesson plan included in on PDF.  

Grade(s)

1

Subject Area

Arts Education

Learning Resource Type

Classroom Resource

Students will listen to and analyze each movement of Antonio Vivaldi's The Four Seasons.  They will identify musical elements that represent each season.  They will use oil pastels to create a deciduous tree in all four seasons.  

Grade(s)

2, 3

Subject Area

Arts Education

Learning Resource Type

Classroom Resource

Students will perform hip hop moves such as bounce to the beat, step clap, clean it, butterfly, fall back, attitude, raise the roof, DJ, and deodorant. They will perform the moves to a variety of songs with varying tempos. They will strike a pose when the music stops.  

Grade(s)

4, 5

Subject Area

Arts Education

Learning Resource Type

Classroom Resource

Students will investigate how structures can reduce the effects of sunlight on the Earth’s surface. Students will use recycled materials to design a structure to reduce the effects of sunlight. Students will work in small groups to design and construct their structure. Finally, students will test their structures outside in the sun and record their findings.

This activity was created as a result of the Arts COS Resource Development Summit.

Grade(s)

K

Subject Area

Science
Arts Education

Learning Resource Type

Learning Activity

Students will analyze a painting including the landscape and weather.  They will write a poem describing a specific setting.  Assessment rubric, letter to parents, examples of artwork, and lesson plan included in PDF.   

Grade(s)

3

Subject Area

English Language Arts
Arts Education

Learning Resource Type

Classroom Resource

Students will discuss four time periods of music - Baroque, Classical, Romantic, and Modern. They will list facts about Wolfgang Amadeus Mozart and Ludwig van Beethoven. They will compare and contrast the music of Mozart and Beethoven.  They will identify that Mozart and Beethoven are composers of the Classical Period.    

Grade(s)

3, 4, 5

Subject Area

Arts Education

Learning Resource Type

Classroom Resource

AE17.D.K.1

Differentiate between basic locomotor and non-locomotor movements.

COS Examples

Examples: Running, twisting, skipping, falling.

Unpacked Content

Essential Questions

EU: Choreographers use a variety of sources as inspiration and transform concepts and ideas into movement for artistic expression.
EQ: Where do choreographers get ideas for dances?

Skills Examples

  • Demonstrate locomotor and non-locomotor movements (i.e., running, skipping, twisting, falling).
  • Identify elements of movement that are personally difficult to perform and discuss how this impacts movement choice in choreography.
  • Identify how it feels to perform the same movement fast and slow.
  • Create a connected shape, improvise while disconnected, and finish back in original connected shape.
  • Perform improvised movement based on a famous painting.
  • Identify how the movement changes if an element is performed differently, such as taking the movement from a high level to a low level.
  • Create three movements and develop a symbol to go with each (such as ⟲ for turn).

Vocabulary

  • locomotor
  • non-locomotor
  • non-locomotor vs locomo"tor movements
  • elements of dance
  • choreography
  • improvisation
  • structure
  • concepts and inspiration for choreography
  • feedback and revision
  • notation

Anchor Standards

Anchor Standard 1: Generate and conceptualize artistic ideas and work.

AE17.D.K.2

React to stimuli by creating movement that changes at least one of the elements of dance.

COS Examples

Example: Identify elements of movement that are personally difficult to perform and discuss in a journal how this impacts movement choice in choreography.

Unpacked Content

Essential Questions

EU: Choreographers use a variety of sources as inspiration and transform concepts and ideas into movement for artistic expression.
EQ: Where do choreographers get ideas for dances?

Skills Examples

  • Demonstrate locomotor and non-locomotor movements (i.e., running, skipping, twisting, falling).
  • Identify elements of movement that are personally difficult to perform and discuss how this impacts movement choice in choreography.
  • Identify how it feels to perform the same movement fast and slow.
  • Create a connected shape, improvise while disconnected, and finish back in original connected shape.
  • Perform improvised movement based on a famous painting.
  • Identify how the movement changes if an element is performed differently, such as taking the movement from a high level to a low level.
  • Create three movements and develop a symbol to go with each (such as ⟲ for turn).

Vocabulary

  • locomotor
  • non-locomotor
  • non-locomotor vs locomotor movements
  • elements of dance
  • choreography
  • improvisation
  • structure
  • concepts and inspiration for choreography
  • feedback and revision
  • notation

Anchor Standards

Anchor Standard 1: Generate and conceptualize artistic ideas and work.

AE17.D.K.3

Perform an improvisational dance that has a beginning, middle, and end.

Unpacked Content

Essential Questions

EU: The elements of dance, dance structures, and choreographic devices serve as both a foundation and a departure point for choreographers.
EQ: What influences choice-making in creating choreography?

Skills Examples

  • Demonstrate locomotor and non-locomotor movements (i.e., running, skipping, twisting, falling).
  • Identify elements of movement that are personally difficult to perform and discuss how this impacts movement choice in choreography.
  • Identify how it feels to perform the same movement fast and slow.
  • Create a connected shape, improvise while disconnected, and finish back in original connected shape.
  • Perform improvised movement based on a famous painting.
  • Identify how the movement changes if an element is performed differently, such as taking the movement from a high level to a low level.
  • Create three movements and develop a symbol to go with each (such as ⟲ for turn).

Vocabulary

  • locomotor
  • non-locomotor
  • non-locomotor vs locomotor movements
  • elements of dance
  • choreography
  • improvisation
  • structure
  • concepts and inspiration for choreography
  • feedback and revision
  • notation

Anchor Standards

Anchor Standard 2: Organize and develop artistic ideas and work.

AE17.D.K.4

Illustrate an idea, feeling, or image through improvised movement.

Unpacked Content

Essential Questions

EU: The elements of dance, dance structures, and choreographic devices serve as both a foundation and a departure point for choreographers.
EQ: What influences choice-making in creating choreography?

Skills Examples

  • Demonstrate locomotor and non-locomotor movements (i.e., running, skipping, twisting, falling).
  • Identify elements of movement that are personally difficult to perform and discuss how this impacts movement choice in choreography.
  • Identify how it feels to perform the same movement fast and slow.
  • Create a connected shape, improvise while disconnected, and finish back in original connected shape.
  • Perform improvised movement based on a famous painting.
  • Identify how the movement changes if an element is performed differently, such as taking the movement from a high level to a low level.
  • Create three movements and develop a symbol to go with each (such as ⟲ for turn).

Vocabulary

  • locomotor
  • non-locomotor
  • non-locomotor vs locomotor movements
  • elements of dance
  • choreography
  • improvisation
  • structure
  • concepts and inspiration for choreography
  • feedback and revision
  • notation

Anchor Standards

Anchor Standard 2: Organize and develop artistic ideas and work.

AE17.D.K.5

Use suggestions from peers or instructors to change movement through structured improvisational activities.

Unpacked Content

Essential Questions

EU: Choreographers analyze, evaluate, refine, and document their work to communicate meaning.
EQ: How do choreographers use self-reflection, feedback from others, and documentation to improve the quality of their work?

Skills Examples

  • Demonstrate locomotor and non-locomotor movements (i.e., running, skipping, twisting, falling).
  • Identify elements of movement that are personally difficult to perform and discuss how this impacts movement choice in choreography.
  • Identify how it feels to perform the same movement fast and slow.
  • Create a connected shape, improvise while disconnected, and finish back in original connected shape.
  • Perform improvised movement based on a famous painting.
  • Identify how the movement changes if an element is performed differently, such as taking the movement from a high level to a low level.
  • Create three movements and develop a symbol to go with each (such as ⟲ for turn).

Vocabulary

  • locomotor
  • non-locomotor
  • non-locomotor vs locomotor movements
  • elements of dance
  • choreography
  • improvisation
  • structure
  • concepts and inspiration for choreography
  • feedback and revision
  • notation

Anchor Standards

Anchor Standard 3: Refine and complete artistic work.

AE17.D.K.6

Illustrate a dance movement by drawing a picture or using a symbol.

Unpacked Content

Essential Questions

EU: Choreographers analyze, evaluate, refine, and document their work to communicate meaning.
EQ: How do choreographers use self-reflection, feedback from others, and documentation to improve the quality of their work?

Skills Examples

  • Demonstrate locomotor and non-locomotor movements (i.e., running, skipping, twisting, falling).
  • Identify elements of movement that are personally difficult to perform and discuss how this impacts movement choice in choreography.
  • Identify how it feels to perform the same movement fast and slow.
  • Create a connected shape, improvise while disconnected, and finish back in original connected shape.
  • Perform improvised movement based on a famous painting.
  • Identify how the movement changes if an element is performed differently, such as taking the movement from a high level to a low level.
  • Create three movements and develop a symbol to go with each (such as ⟲ for turn).

Vocabulary

  • locomotor
  • non-locomotor
  • non-locomotor vs locomotor movements
  • elements of dance
  • choreography
  • improvisation
  • structure
  • concepts and inspiration for choreography
  • feedback and revision
  • notation

Anchor Standards

Anchor Standard 3: Refine and complete artistic work.

AE17.D.K.7

Demonstrate movement and stillness using the basic elements of space, including line, shape, levels, and size.

COS Examples

Examples: Join with others to make a circle, then work with others to change it to a square. Create a curved shape on a low level.

Unpacked Content

Essential Questions

EU: Space, time, and energy are basic elements of dance.
EQ: How do dancers work with space, time, and energy to communicate artistic expression?

Skills Examples

  • Explore shape examples: discuss what objects are straight. Show examples of said objects with the body (straight, curved, bent/ angled, size: big/ small).
  • Respond to music or other sound stimuli with free movement that matches varying tempo: fast, slow, moderate.
    • Engage in "freeze dance": respond to music or other sound stimuli through movement with varying tempo changes. When music/ stimuli pause, freeze in called out shape, size or level.
  • Observe and demonstrate movement qualities, such as hard/ heavy or soft/light, smooth or wavy, and slow or jerky.
    • Practice actions using varied movement qualities: stomp (hard), float (soft).
  • Demonstrate same side and cross-body locomotor and non-locomotor movements.
  • Display an awareness of physical space and apply principles of safety when sharing space with others in activities, formations and explorations.
    • Hold hands and form group shape formations.
    • Use locomotor movement (skip, hop, crawl, etc.) to travel in a group shape.
  • Discuss how we use space safely. Practice using safety principles discussed.
  • Demonstrate full body movement sequence through observation, demonstration, and repetition.
    • Practice learned sequence of heel, together right and left, and marching in place.
  • Practice and perform dance with others in the safety of classroom, gym or outside space.
  • Use a scarf to improvise flowing or staccato movement.

Vocabulary

  • Elements of Dance
  • Space
  • Tempo/ Speed
  • Energy
  • Basic movement qualities
  • Embody
  • Body Pattern
  • Shape
  • Locomotor/ Non-locomotor
  • Same side vs cross body
  • Spatial Awareness
  • General Space
  • Personal Space
  • Safety Principles in movement
  • Space
  • Prop

Anchor Standards

Anchor Standard 4: Select, analyze, and interpret artistic work for presentation.

AE17.D.K.8

Demonstrate tempo changes with movements that match music or sound stimuli.

Unpacked Content

Essential Questions

EU: Space, time, and energy are basic elements of dance.
EQ: How do dancers work with space, time, and energy to communicate artistic expression?

Skills Examples

  • Explore shape examples: discuss what objects are straight. Show examples of said objects with the body (straight, curved, bent/ angled, size: big/ small).
  • Respond to music or other sound stimuli with free movement that matches varying tempo: fast, slow, moderate.
    • Engage in "freeze dance": respond to music or other sound stimuli through movement with varying tempo changes. When music/ stimuli pause, freeze in called out shape, size or level.
  • Observe and demonstrate movement qualities, such as hard/ heavy or soft/light, smooth or wavy, and slow or jerky.
    • Practice actions using varied movement qualities: stomp (hard), float (soft).
  • Demonstrate same side and cross-body locomotor and non-locomotor movements.
  • Display an awareness of physical space and apply principles of safety when sharing space with others in activities, formations and explorations.
    • Hold hands and form group shape formations.
    • Use locomotor movement (skip, hop, crawl, etc.) to travel in a group shape.
  • Discuss how we use space safely. Practice using safety principles discussed.
  • Demonstrate full body movement sequence through observation, demonstration, and repetition.
    • Practice learned sequence of heel, together right and left, and marching in place.
  • Practice and perform dance with others in the safety of classroom, gym or outside space.
  • Use a scarf to improvise flowing or staccato movement.

Vocabulary

  • Elements of Dance
  • Space
  • Tempo/ Speed
  • Energy
  • Basic movement qualities
  • Embody
  • Body Pattern
  • Shape
  • Locomotor/ Non-locomotor
  • Same side vs cross body
  • Spatial Awareness
  • General Space
  • Personal Space
  • Safety Principles in movement
  • Space
  • Prop

Anchor Standards

Anchor Standard 4: Select, analyze, and interpret artistic work for presentation.
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