AE17.TH.PRO.14
Respond to what is seen, felt, and heard in a drama/theatre work in order to make artistic choices.
Respond to what is seen, felt, and heard in a drama/theatre work in order to make artistic choices.
Unpacked Content
UP:AE17.TH.PRO.14
Vocabulary
- Original Play Critiques
- Live Theatre
- Reflection
- Written Critiques
- Open forum discussion
- Constructive Feedback
- Alexander Technique
- Tone
- Volume
- Enunciation
Characterization
- Believability
- Stanislavski
- Blocking
- Business on stage
- Choices
- Balanced stages
- Picturization
- Lighting
- gels
- LEDs
- stage plots
- cues
- Costume
- characterization
- Sewing
- patterns
- costume plots
- Sound
- stage plot
- sound cues
- special effects
- Makeup
- Stage makeup
- Use of shadow
- corrective makeup
- Cleaning procedures
- Stage management
Essential Questions
EQ: How do theatre artists comprehend the essence of drama processes and theatre experiences?
Skills Examples
- Students will watch a play or a filmed play if live theatre is not available (for prime examples, network with high schools, local community and college theatre programs, or traveling professional theatre companies).
- Students will have an open discussion of their opinions about the play. They will begin by answering the questions: 1. What did I see? 2. What did I feel?
- Review online original critiques of the previously viewed play. Discuss the value and weight these reviews receive on a daily basis in the world of theatre. Taking into consideration the critiques and earlier open discussion, students will write their own critiques in which they justify their perspectives and beliefs concerning the play.